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Showing posts with label João do Vale. Show all posts
Showing posts with label João do Vale. Show all posts

Sunday, October 20, 2019

Marinês E Sua Gente - Peba Na Pimenta from Vamos Xaxar & Rico Ri À Toa - Sinter (1957)


Vamos Xaxar, like many 10" records from this period, is a compilation of 78rpm singles. This is the first appearance on vinyl from the mighty Marinês E Sua Gente. Peba Na Pimenta was co-written by the great João do Vale. Vale's version appeared on his beloved 1965 Philips album, Poeta Do Povo. I am uncertain if there is an earlier recording by Vale. This video includes both the xoté style recording from the Sinter 10" and the group appearance from the film Rico Ri Á Toa, which is faster, tighter, has higher fidelity and in my opinion, is infinitely better. Marinês is riveting throughout. 


Marinês E Sua Gente - Vamos Xaxar - Sinter (1957)

Tuesday, June 7, 2016

Moura Junior / Jr. - Pau De Arara & Oricuri (Segrêdo Do Sertanejo) - Copacabana compacto (1963 or 1964)

This was a nice surprise. I did not realize that Moura Junior recorded for labels other than Philips. This compacto is intriguing. Oricuri (Segrêdo do Sertanejo) was co-written by João do Vale. Pau De Arara was written by Vinicius De Morais and Carlos Lyra. People familiar with Bossa Nova will know the names well. Although forró artists recorded João do Vale songs (Marinês particularly), I have never heard De Morais and Lyra songs recorded by anyone in the forró scene before.  

The songs on this release may be described as nightclub samba with a bit of Bossa Nova. The sound of Oricuri (Segrêdo do Sertanejo) also harkens back to late 50s albums by Gilvan Chaves and Volta Seca, who mixed storytelling with music. Like Moura Jr., Jackson Do Pandeiro (E Vamos Nós -1964 & Coisas Nossas - 1965) and Ary Lobo (Quem é o Campeão - 1966) also flirted with supper club poshness during this period. This coincided with the time of the military coup from March of 1964. I am uncertain if the musical choices made by these artists was directly influenced by the political problems in Brazil or if Lobo, Jackson and Moura Jr. were trying to diversify their repertoire to appeal to a wider audience. 

My record is a little crispier than usual, but like all compactos, this one only turns up once in a blue moon and is worth the extra effort for preservation and sharing. Thank you Samuel for the image of the rare picture sleeve.

Moura Junior / Jr. - Oricuri (Segrêdo Do Sertanejo) - Copacabana compacto (1963 or 1964)

Moura Junior / Jr. - Pau De Arara - Copacabana compacto (1963 or 1964)

Moura Junior - Oricuri (Segrêdo Do Sertanejo) rare Copacabana picture sleeve - image by Samuel Rodrigues Nascimento
Moura Junior (Jr.) - Oricuri (Segrêdo Do Sertanejo) - Copacabana Compacto 
Moura Junior (Jr.) - Pau De Arara - Copacabana Compacto