In the 1950s, baião was not yet forró. Eventually, the instrumentation, arrangements, and genre would become more tightly defined. The 1950s may be the most experimental decade for baião. Artists added strings, harmony groups incorporated baião rhythms (this began in the 1940s, actually), Gilvan Chaves & Volta Sêca (and later Coroné Narcizinho) infused spoken word storytelling in song and some folks were downright formal by later rootsy genre standards. Jair Alves' Canta O Barão Do Baião may be the most successful melding of baião and classical orchestration. Perhaps more experimental contemporary forró artists will return to Canta O Barão Do Baião for inspiration. It truly is special and unusual.
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| Jair Alves - Canta O "Barão Do Baião" - RCA (1957) |
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