In the 1950s, remarkable breakthroughs were being made with magnetic tape. This vastly improved the quality of recordings. Walter Damasceno, along with Jackson do Pandeiro, Ary Lobo, Luiz Wanderley, Jair Alves and a number of other artists greatly benefitted from these advancements. Unfortunately, Brazil was a slower to adopt vinyl than the United States and Europe. As a result, there are quite a few artists classified as baião (later forró) who have songs lost to time because they were recorded on 78rpm shellac.
78rpm's are fragile and not many have survived. Very few 78rpm's were exported. Walter Damasceno recorded an LP and several compactos, so he is luckier than someone like Carlos Galindo, who was released exclusively on 78rpm.
However, Damasceno's catalog contains 78rpm releases that are much more difficult to locate than his vinyl and were never compiled. The surge of interest in vintage forró in the last 10 years hopefully means that some of this rare music will be preserved. Unfortunately, with the music business being decimated by downloading, it is unlikely that this music will be professionally archived.
On a lighter note, forró is one of the few genres that effectively uses tuba as a bass instrument. Jackson do Pandeiro was fond of the instrument and used it quite a bit on his horn heavy tracks. Props to Damasceno or his production team for an inspired choice!
78rpm's are fragile and not many have survived. Very few 78rpm's were exported. Walter Damasceno recorded an LP and several compactos, so he is luckier than someone like Carlos Galindo, who was released exclusively on 78rpm.
However, Damasceno's catalog contains 78rpm releases that are much more difficult to locate than his vinyl and were never compiled. The surge of interest in vintage forró in the last 10 years hopefully means that some of this rare music will be preserved. Unfortunately, with the music business being decimated by downloading, it is unlikely that this music will be professionally archived.
On a lighter note, forró is one of the few genres that effectively uses tuba as a bass instrument. Jackson do Pandeiro was fond of the instrument and used it quite a bit on his horn heavy tracks. Props to Damasceno or his production team for an inspired choice!
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| Walter Damasceno - E O Treco Pego (rojão) from Columbia 78rpm (1950s) |
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