Pedido Legal, presented here from an extremely rare 78rpm, also comes from the LP: O Vendedor De Biscoito. This LP has posthumously made Paulo Tito a legend, thanks to the scarcity of available copies and the high quality of the music.
Interestingly, according to notes made on Tito's Baiano De Guanabara page on forroemvinil, Tito claims that he fell into the genre by accident. The singer was asked to collaborate on an LP with Gordurinha in the style of baião and forró. Gordurinha had to back out and the project continued without him. Quite accidentally, Paulo Tito became a forró recording star. Although he was assisted by Luiz Gonzaga in his early career, Tito thought of himself primarily as a romantic singer.
Paulo Tito carries the distinction of having some of the rarest forró LPs, thanks to the high quality of the material and the limited availability of vintage vinyl. It is not entirely clear why this is. It is likely that the negligible number of LPs were pressed of the 3 solo records that Tito recorded in the 60s.* A bit of speculation... Perhaps, because Tito considered himself an outsider to the genre or because his record companies considered him an outsider, he/they did not promote his work as heavily as acts that were trying to make a career out of forró. It is possible that the military coup in 1964 also slowed his career. Although he continued recording, the elusive early 60s material is what gave Tito his legendary status in forró.
*Poeira De Morte may be early 70s. The jacket and LP are not dated.
Paulo Tito - Pedida Legal (Rojão) - Continental 78rpm (1961) & O vendedor De Biscoito - MusiColor (1960)
Interestingly, according to notes made on Tito's Baiano De Guanabara page on forroemvinil, Tito claims that he fell into the genre by accident. The singer was asked to collaborate on an LP with Gordurinha in the style of baião and forró. Gordurinha had to back out and the project continued without him. Quite accidentally, Paulo Tito became a forró recording star. Although he was assisted by Luiz Gonzaga in his early career, Tito thought of himself primarily as a romantic singer.
Paulo Tito carries the distinction of having some of the rarest forró LPs, thanks to the high quality of the material and the limited availability of vintage vinyl. It is not entirely clear why this is. It is likely that the negligible number of LPs were pressed of the 3 solo records that Tito recorded in the 60s.* A bit of speculation... Perhaps, because Tito considered himself an outsider to the genre or because his record companies considered him an outsider, he/they did not promote his work as heavily as acts that were trying to make a career out of forró. It is possible that the military coup in 1964 also slowed his career. Although he continued recording, the elusive early 60s material is what gave Tito his legendary status in forró.
*Poeira De Morte may be early 70s. The jacket and LP are not dated.
Paulo Tito - Pedida Legal (Rojão) - Continental 78rpm (1961) & O vendedor De Biscoito - MusiColor (1960)
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| Paulo Tito - Pedida Legal (Rojão) - Continental 78rpm (1961) & O vendedor De Biscoito - MusiColor (1960) |
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