Camarão E Seu Acordeon - Canto Da Siriema & Não Atrapalha from Forró No Palhoção - Tropicana (1976) & Jackson do Pandeiro - Madelena from O Dono Do Forró - CBS (1971)
There are a myriad of brilliant forró artists. Some, like Camarão had a fruitful career and the recorded output of others, like José Bezerra, had an output limited to one great LP. Hidden in the credits are brilliant songwriters who never recorded, but contributed to great forró records. Madelena, from Jackson do Pandeiro's O Dono Do Forró is one of my favorite tracks. It was written by Juarez Santiago and José Sales, who also contributed to Camarão's Forró No Palhoção LP. While Canto Da Siriema is gutsy and clearly reminiscent of Madelena, the interpretation of the 2 songs is starkly different. Jackson's instrumentation and melodic excellence is an interesting contrast to Camarão's style, who favored ferocity to get the party started. The stylistic writing is apparent in both. Não Atrapalha, written by Camarão and Juarez Santiago, is an instrumental at breakneck speed.
Camarão E Seu Acordeon - Canto Da Siriema (Juarez Santiago and José Sales) - Tropicana (1976)
Jackson do Pandeiro - Madelena (Juarez Santiago and José Sales) from O Dono Do Forró - CBS (1971)
Camarão E Seu Acordeon - Não Atrapalha from Forró No Palhoção - Tropicana (1976)
There are a myriad of brilliant forró artists. Some, like Camarão had a fruitful career and the recorded output of others, like José Bezerra, had an output limited to one great LP. Hidden in the credits are brilliant songwriters who never recorded, but contributed to great forró records. Madelena, from Jackson do Pandeiro's O Dono Do Forró is one of my favorite tracks. It was written by Juarez Santiago and José Sales, who also contributed to Camarão's Forró No Palhoção LP. While Canto Da Siriema is gutsy and clearly reminiscent of Madelena, the interpretation of the 2 songs is starkly different. Jackson's instrumentation and melodic excellence is an interesting contrast to Camarão's style, who favored ferocity to get the party started. The stylistic writing is apparent in both. Não Atrapalha, written by Camarão and Juarez Santiago, is an instrumental at breakneck speed.
Camarão E Seu Acordeon - Canto Da Siriema (Juarez Santiago and José Sales) - Tropicana (1976)
Jackson do Pandeiro - Madelena (Juarez Santiago and José Sales) from O Dono Do Forró - CBS (1971)
Camarão E Seu Acordeon - Não Atrapalha from Forró No Palhoção - Tropicana (1976)
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| Camarão E Seu Acordeon - Forró No Palhoção - Tropicana (1976) |
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